Trumpington Village Sign unveiled June 2010, designed by Sheila Betts.
Trumpington Local History Group
The Cardozo Kindersley
Workshop and Trumpington
Copyright © Trumpington Local History Group, 2018. Updated 27 November 2018.
Lida Cardozo
Kindersley at the

meeting, 15
November 2018.
Photo: Andrew
Lida Cardozo Kindersley gave a talk at the Local History Group meeting
on 15 November 2018 about the Cardozo Kindersley Workshop,
including the history of the Trumpington War Memorial and other local
work. We are very grateful to Lida for her excellent presentation and
permission to include her additional notes and her slides. Report by
Andrew Roberts.
In introducing Lida Cardozo Kindersley, Howard Slatter said that Lida joined David Kindersley
in his Workshop in 1976 and they married 10 years later. Since David died in 1995, Lida and her
second husband, Graham Beck, have run the
Cardozo Kindersley Workshop in Victoria Road,
Cambridge. Lida summarised her work as "lettercutter, type designer, teacher, author and

Lida introduced the range of work undertaken by the workshop by showing the gates at the main
entrance to the British Library, with lettering in stone and metalwork designed by David
Kindersley and herself. She said that David Kindersley had started carving at home, after leaving
Marlborough College which he hated. The local policeman was David's mentor and said to
David's father that his son was very talented. David was sent to school in France to study
sculpture. On his return to England, he worked with Italian sculptors who had a commission to
copy works in the Royal Academy from plaster into marble. David read that Eric Gill thought
that copying was dishonest and only direct caving was legitimate. David went to see Gill, was
initially rejected, but on his return three months later was allowed to start in Gill's Workshop in
1934. Lida brought with her two Graphic Novels, drawn and written by her and Fiona Boyd,
which tell the story of David's early life and his time with Eric Gill.
The main gates to the
British Library.
Cardozo Kindersley
Eric Gill and David
. Cardozo
Kindersley Workshop.
Eric Gill's first work in Trumpington was the memorial to Captain Francis Percy Campbell
Pemberton, who had been killed in action on 19 October 1914. This was commissioned by the
Pemberton family and placed in the Parish Church in 1915. Lida commented that this plaque is
unusual for Eric Gill in having the lettering centred.
Memorial to Captain Francis Percy Campbell Pemberton by
Eric Gill, Trumpington Church, 1915. Cardozo Kindersley
Trumpington War Memorial

Lida explained that Mrs Viola Pemberton (Captain Francis Pemberton's sister) and her husband,
William Wingate, were then responsible for Eric Gill being commissioned in 1919 to design the
Trumpington War Memorial. Dr Wingate was on the Parish sub-committee that was formed to
choose a suitable memorial. Mrs Pemberton was very influential over the decisions of the
sub-committee, writing in 1947 that she and Dr Wingate had to "educate" the local committee to
accept Gill's work. Gill quoted £400 to carve the memorial himself or £100 if the monument was
prepared by local masons and he was only responsible for the carving of the lettering and images.
The sub-committee agreed that Gill should be commissioned to carry out the entire work. Funds
were raised across the Parish, including £200 contributed by the Pemberton family in 1919.

Eric Gill had already been responsible for the design of a number of other war memorials,
including those at
Briantspuddle, Dorset, and South Harting, Hampshire, which influenced the
design of the Trumpington memorial.
War Memorials in Briantspuddle, Dorset, and South Harting,
Hampshire. Cardozo Kindersley Workshop.
Lida said that the Trumpington War Memorial was commissioned in 1919 and unveiled in 1921.
The memorial was built from Portland stone, with a 14.5 foot (4.4 m) cross standing on a 4 foot
(1.2 m) square plinth, itself standing on a square base of three steps. It includes a carving of St
Michael and the dragon, which Lida said was an intriguing and disturbing image as it has a
female slithering dragon with breasts which had mouths (no longer identifiable) and also a
female-looking portrayal of St Michael.
Trumpington War Memorial, with Eric Gill's left-aligned lettering
and the carving of St Michael. Cardozo Kindersley Workshop.
The memorial was unveiled on 11 December 1921 by the Lord Lieutenant of Cambridgeshire,
C.R.W. Adeane. Lida commented that the memorial booklet shows it standing lonely on Cross
Cover page of the booklet for the unveiling and dedication of
Trumpington War Memorial, 11 December 1921. Cardozo
Kindersley Workshop.
In 1947, David Kindersley was asked to produce a design for the memorial to include the names
of those who had died in the Second World War. David's drawing was done on 9 October 1947,
with the names centred within the outer panels on the plinth. Lida said that Mrs Viola Pemberton
wrote to David on 12 October 1947 to say that Eric Gill (who Mrs Pemberton said had stayed
with the Pembertons in Trumpington Hall on several occasions) was very insistent that all of the
names should be set to the left but David stuck to his decision and kept the names as he had
originally intended. The dates 1939 and 1945 were set high in the centre panel in the original
design and David did change this when it was raised in Mrs Pemberton's letter. Mrs Pemberton
said to David that "Your handwriting is so like Eric Gill's it gave me quite a start to see it when
your design and letter was shown me!". David was paid £27 10s 0p for the additional inscription.
On 12 November 1947, Colonel E. Saville Peck, of Friarswood, Long Road, wrote to David that
“The unveiling ceremony took place on Sunday in beautiful weather in the presence of several
hundred people. I had the honour of unveiling the new inscription and mentioned that you, an
old pupil of Eric Gill, had added the eight names.”
David Kindersley's design for names
from the Second World War and the
completed design. Cardozo
Kindersley Workshop.
Letter from Mrs Viola Pemberton to
David Kindersley, 12 October 1947.
Cardozo Kindersley Workshop.
Lida said that there were endless discussions in 1950 about cleaning the memorial. Colonel Peck
wrote to David about the cleaning, saying that he had been informed that the Women's Institute
would undertake the work "under the supervision of Mr Kindersley". The Honorary Secretary of
the Women's Institute was of course Mrs Viola Pemberton. David was adamant that only water
and a washing up brush should be used.
Letter from Colonel E. Saville Peck to David Kindersley about the cleaning
of the memorial, December 1950. Cardozo Kindersley Workshop.
One of the panels on the memorial represents a soldier. Lida said that this had first been drawn
by David Jones and then engraved and carved by Eric Gill, both in 1921. The panel showed the
effect of cleaning in 1950.
The soldier on Trumpington War Memorial: drawing by David Jones and
carving by Eric Gill, before and after cleaning. Cardozo Kindersley Workshop.
David was consulted again in 1952, this time by the vicar, Rev. T. Young, who inquired about
the cleaning of the memorial, writing “I am not one who likes everything to have a new look, I
am not convinced that the shaft and cross require any attention”. David wrote back and advised
Rev. Young to leave well alone and that he felt it would be a mistake to clean the monument as
it would cause further damage to the delicate carving. He wrote “You probably realise that I am
not a person in favour of keeping monuments of this kind in this climate clean. I like them as
they are and more particularly so perhaps in this case because it seems to me, apart from being a
War Memorial, that it is also a Village Cross excepted unobtrusive and symbolic for those who
wish to discover it.”

In 2010, Lida was asked by Cambridge City Council whether the memorial should be cleaned
and advised to leave it alone, that the memorial was sound, had done its weathering and was in
good condition.
The Trumpington War Memorial memorial, c. 2010. Cardozo
Kindersley Workshop.
Other work in Trumpington

Lida then briefly discussed a number of other projects carried out in Trumpington by the
Workshop. She started with the example of a Pemberton family memorial in Trumpington
Churchyard Extension, where the names of Annie Mason (who was a family servant) and then
Viola Pemberton had been added.
Pemberton family memorial, Trumpington Churchyard Extension.
Cardozo Kindersley Workshop.
Lida said that slate was a wonderful material to cut, although it was necessary to wash out the
dust and then add an off-white paint to the cut which would last about 20 years. They used slate
from the British Isles, including from Wales and the Lake District. There were a number of slate
plaques on the walls of Trumpington Churchyard. Lida explained that if asked to produce a
memorial, they would normally make a drawing to be approved by the client. The memorial
would then be fixed in place. When a second name was added, this would be done in situ.
Slate plaque to Henry Christian Newbery
and Mary Winifred Newbery, designs and
final plaque, Trumpington Churchyard.
Cardozo Kindersley Workshop.
Lida showed a number of examples of designs and final memorials for Trumpington Churchyard.
She mentioned the opportunities to use different styles of lettering, flourishes, sans serif, etc.
Memorial to Elizabeth Ruth Barker, Trumpington Churchyard.
Cardozo Kindersley Workshop.
Memorial to Robert Gardner and Margaret Gardner,
Trumpington Churchyard. Cardozo Kindersley Workshop.
Memorials to Arthur Herbert Gray and Dorothy Elsie Gray,
Trumpington Churchyard. Cardozo Kindersley Workshop.
Memorials to Frederick James Bywaters and Beatrice Irene
Bywaters and Herbert Swan Perkins and Jane Perkins,
Trumpington Churchyard. Cardozo Kindersley Workshop.
Memorial to Lady Baker and Lord Baker, Trumpington
Churchyard. Cardozo Kindersley Workshop.
Memorial to Sara Bailey, Trumpington Churchyard.
Cardozo Kindersley Workshop.
Lida talked about the memorial to Sir George Darwin and Maud du Puy and their daughter,
Gwendolen Mary Raverat, in Trumpington Churchyard Extension. She explained that the original
York stone memorial in 1950 had lead letters which David Kindersley removed. The memorial
was rebuilt and the inscription was recut with additional details. In 1958, after the death of Gwen
Raverat, it was decided to remove the memorial and replaced it with a flat slate ledger stone on a
Portland stone plinth, with the fuller inscription.
Darwin family memorial, Trumpington Churchyard
Extension. Cardozo Kindersley Workshop.
She gave another example of a Portland stone memorial placed against a wall in Trumpington
Churchyard, that of Reginald George Smith. Portland stone takes on colour from its
environment, such as green when placed under trees.
Memorial to Reginald George
Smith, Trumpington
Churchyard. Cardozo
Kindersley Workshop.
Other examples

Lida gave other examples of the work of the studio and David Kindersley's inspiration. In 1950,
David was horrified by the design of new street signs and offered to design a new typeface for
Cambridge Council. When he asked the Council to pay £150 for the design, they were not
willing to do so. David then offered it to the Ministry of Transport, which accepted the design
and paid for it. Ironically, it was then used in Cambridge! In 1981, he designed the lettering on
the exterior of the Cambridge University Press building (now demolished).
Street signs, before and after. Lettering on the Cambridge
University Press building.
Cardozo Kindersley Workshop.
In 1960, David Kindersley created the maps for the Cambridge American Cemetery at
Madingley, with the help of glues developed by Norman de Bruyne.
Example of work at
Cambridge American
Cemetery. Cardozo
Kindersley Workshop.
Lida also showed examples of the extensive work done by the Cardozo Kindersley Workshop at
Addenbrooke's Hospital. These include a plaque in Outpatients commemorating the opening of
the hospital by the Queen in 1962; a plaque commemorating the opening of the second phase of
the hospital in 1973; a plaque concerning the inauguration of the Clinical School in 1976; a
plaque commemorating Francis Pemberton near the entrance to the Frank Lee Centre; a
commemoration of the Clinical School in 1996; and a memorial to David Kindersley.
Examples of work at Addenbrooke's Hospital. Cardozo
Kindersley Workshop.
After showing a number of other Cambridge examples, Lida closed her presentation by saying
that the Workshop was keeping up its long tradition, including taking on a new apprentice each
year. There were currently 6 cutters and 3 others in the Workshop.
The Cardozo Kindersley Workshop.